A wry and revealing monthly round-up of news from the poetry publishing sector.
The National Memorial Arboretum has announced its new poet in residence. Congratulations to Arji Manuelpillai, a poet and performer with a passion for community arts.
The National Memorial Arboretum is home to 150 acres and more than 400 memorials, with about 250 events taking place on site annually from small intimate services of remembrance to set-piece events like Armistice Day, Remembrance Sunday and Armed Forces Day. Arji’s brief is to explore the surroundings, landscape and memorials through the art of poetry.
Reading about his appointment made me nostalgic for my time as poet in residence at the University of Leicester Botanic Gardens. As an enthusiastic (but hapless) gardener, it was a great opportunity to learn more about plants, the natural world and the environment.
It seems many organisations and venues have a resident poet, but one of my favourites has to be the one celebrating iconic London bridges. Cecilia Knapp became the City Bridge Foundation’s first-ever poet in residence last summer, with her wide-ranging role including celebrating five iconic bridges – Tower, London, Southwark, Millennium and Blackfriars.
Hackney-based Cecilia was selected from an impressive field of more than 170 applicants, with the help of the Foundation’s partner The Poetry Society. She has recently written a new poem, All around us, silver, to celebrate 25 years of Millennium Bridge, capturing the spirit, movement and meaning of this unique footbridge.
Cecilia’s debut poetry collection, Peach Pig, was published by Corsair in 2022, after editorial director Sarah Castleton acquired rights from Becky Thomas in her first deal closed at Lewinsohn Literary. Castleton described the poet as "an inspiration" because of her work as Young People’s Laureate for London 2020-21, as well as with Great Ormond Street Hospital, the Roadhouse and as an ambassador for the suicide prevention charity CALM.
"It demonstrates her unique talent for – and commitment to – connecting young people with poetry, amplifying voices that aren’t often heard and encouraging conversations around challenging experiences," Castleton said.
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At a recent online launch, an audience member observed that digital events are about the only aspect of the Covid pandemic they remember fondly.
It’s true. Although there’s something special about in-person events, the digital alternative brings many advantages in terms of convenience and accessibility.
The event in question was the launch of DA Prince’s Continuous Present and Richie McCaffery’s Skail, two pamphlets marking impressive additions to New Walk Editions’ list. This small publisher really punches above its weight, with editors Nick Everett and Rory Waterman at its helm.
Its approach is to publish four poets a year – two in the autumn, two in the spring. The press was born out of New Walk magazine, a print journal that ran from 2010 to 2017, during which time it featured work by writers as varied as John Ashbery, Alice Oswald, Alison Brackenbury and Mark Ford.
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According to Waterman, whose four collections have been published by Carcanet, New Walk’s ethos is unchanged from the one which guided the magazine – it’s interested in established and new poets, in poetic plurality, and in representing a broad church stylistically and thematically.
These latest two offerings happen to both be from established writers – Prince has three collections to her name from pamphlet publisher HappenStance, which was founded by the wonderful Nell Nelson. McCaffery has three full-length collections under his belt, the most recent from Shoestring Press and the previous two from Nine Arches Press. The launch was a friendly and buzzing event, brimming with the camaraderie the poetry community does so well.
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On the subject of online events, a newly formed poetry collective has entered this space, offering a range of workshops, masterclasses and webinars.
The North Sea Poets comprises Kathleen Jamie, Niall Campbell, Karen Solie, Don Paterson, Lisa Brockwell, John Glenday and Lesley Harrison – a group of pals with strong ties to the east coast of Scotland. "We are an east-facing group of seven poet-friends who decided to bring some of our various activities under one storm-battered umbrella, and create a teaching platform for poetry, with a strong focus on artistic and technical excellence," they said.
Best of luck to them. The group are committed to running the collective in an "independent, affordable, ethical and accessible" way and run superb events.
I was lucky enough to attend a recent webinar led by Campbell, whose latest collection, The Island in the Sound, was published by Bloodaxe. He is one of the country’s most exciting writers and, as editor of Poetry London, is taking that long-established journal to new levels of excellence.
Reading about the North Sea Poets made me wonder if I could establish some sort of collective. Problem is, passionate as I am about the area in which I live, I’m not sure "Leicestershire Poets" has quite the same dramatic or romantic ring. Even less so "East Midlands Poets". And I certainly won’t be going for "Poets who live to the east of the A6 between Market Harborough and Corby"…
