The new LBF boss’ first fair has its logistical challenges, but moving the conversation forward is what really drives him.
With his appointment to the job last year, Adam Ridgway became the fourth London Book Fair director in four years, the latest in a series of quick turnarounds after some very long-serving occupants to the post. In many other sectors, four bosses in as many years would smack of an organisation in crisis – a rubbish football team like Manchester United, for example. But unlike the current beleaguered Man Utd manager Ruben Amorim, Ridgway is coming into his first fair overseeing an event that is exceeding expectations.
When Ridgway and I sit down to talk a few weeks prior to LBF’s 11th March kick-off, individual registration is up a few percentage points on where it was at a similar point in 2024, when the show concluded with more than 30,000 attendees. “We’re happy where we are, though the big push for registrations comes closer to the show,” Ridgway says. “But we are bigger than last time around in terms of exhibitors and floorspace, we’ve basically sold out [with exhibitors] and it’s looking really strong. There have been some frustrations with the facility, and that does throw us the occasional curveball.”
Ah, the facility. We shall get to Olympia in due course, but does the recent high turnover of LBF directors matter? Or that Ridgway has no prior book industry experience? Ridgway, it should be said, is a trade-show veteran, having spent nearly four decades successfully running large-scale, mostly B2B, events in sectors as diverse as jewellery, broadcasting and oil and gas in the UK, Canada, Bahrain and Norway. He spent a good chunk of that time working for LBF organisers Reed Exhibitions.
“I think it’s more important that you have someone from the events industry than books,” Ridgway says with a laugh. “I don’t think it would be wise to get an editor or a translation rights agent to do what I do. But, I’ll be honest, when I started [in April 2024] I had to come to grips with the book trade in a short amount of time. I’ve found, over the years as an event director, that this is your best time: you meet with decision-makers, find out what makes an industry tick and see everything fresh. Maybe that’s why it might not be a good idea to have such long-serving show directors – they might get to a point where they’ve developed everything, it’s their baby, but they become stale, loath to change and will say: ‘Well, that’s always worked, why do something different?’ ”
Undoubtedly the first thing Ridgway came to grips with was the vagaries of Olympia. The Kensington venue has a Grade I-listed pokiness that is serviceable for the book fair’s size when at full capacity – and LBF will be by far the biggest event held at Olympia this year – but presents a challenge when it is in the midst of a multi-year renovation with parts of the halls off limits.
Ridgway says: “We have been asked by the industry to run this show at Olympia. So, we are running the show at Olympia, but we are absolutely at the limit of what Olympia has capacity for and it’s a very awkward facility. You know what I would want? One nice, big, rectangular room that everyone fits in. Bingo, job done. But I don’t have that, I have three rooms, two of which have balconies and upper floors. And large parts of the facility are just off limits, and probably will be until 2027. The problem when you are at capacity for the show is that you end up having to make compromises.”
Those compromises this year include moving the International Rights Centre (which has been split up and bounced around over the past few editions) entirely to the first floor, but it will be in different halls with about 30 metres separating the two parts. There will inevitably be a few moans about this over the course of the fair – agents, bless them, do love a moan. Having to walk about 15 paces to your next meeting does fall into the first-world problems camp, but then those who rent IRC tables (and stands in the main halls), are paying very dear first-world prices.
Ridgway says: “Look, I share the frustrations. It’s frustrating for all of us. I would very much like to have the IRC in one space. It causes no end of trouble for us. There are additional complications and effort in terms of scanning people, registration, hall allocations… Getting everybody into one space is the ultimate objective.”
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Another difficult logistical problem over the past few years has been date clashes with the Bologna Children’s Book Fair, which tends to announce its timings long after LBF’s have been set in stone. This year’s Bologna kicks off just 18 days after LBF closes its doors – awkward for those in the children’s sector who have to attend both fairs.
There is not much in the way of international negotiations. “It would be disingenuous to say we sit down and talk with Bologna,” Ridgway says. “But we have made it very clear that our dates are the middle of March. We can’t really get any earlier because that wouldn’t be popular [with the trade] and we don’t want to go into April. We respect the Bologna fair, it’s very good at what it does. The fairs are a little closer than I would like this year, but probably closer than Bologna would like. I suspect they were forced to move to their current date because of political events and I hope they then have an opportunity to move the shows a little bit further apart going forward.”
If Ridgway wants to chat the fairs’ future schedules out, he can head to LBF’s Focus Theatre on 13th March at 9.30am where his Bologna counterpart Elena Pasoli will be on a panel, Knowing Your Worth and Empowering the Next Generation, alongside incoming CEO of Simon & Schuster International Perminder Mann.
Mann’s spot – she was booked far ahead of the news of her move from Bonnier and is speaking in large part with her president-of-the-Publishers-Association (PA) hat on – is one of several featuring book trade heavyweights and star creators, including Booksellers Association president Fleur Sinclair, illustrator Jamie Smart, HarperCollins Children’s and Farshore MD Cally Poplak and the opening day’s transatlantic titans two-hander with Waterstones/Barnes & Noble CEO James Daunt and Hachette UK/US boss David Shelley.
But the overarching theme for the events programme is AI, with at least four sessions a day specifically on this topic, which will assuredly be touched upon in many more. One of Ridgway’s most anticipated panels will be a discussion on the current state of AI and copyright between PA CEO Dan Conway and Maria Pallante, president and CEO of the Association of American Publishers.
Ridgway says: “Clearly the main issue right now is AI and protecting the industry’s creators and people. I’m not a book-trade spokesman or expert, but what I can do, and it’s a main part of my role, is get people on the stage who are – and help focus the conversation on the things that are vital for the industry’s future.”