Futurebook | Page 2 | The Bookseller

Ten tips for writing for audio

By David Roper

Founder and managing director at Heavy Entertainment

FutureBook's audio original writing competition is asking authors to write a short piece of fiction (no more than 5,000 words) that will be made into an audiobook. Read more

The founder of app Poio on the importance of gamification to keep children learning

By Caroline Carpenter

Deputy features editor at The Bookseller

We talk to Daniel Senn, c.e.o. and founder of Poio, a Norwegian app that helps children learn to read through play. Read more

Announcing the FutureBook 2019 Day of Code

By Sara O'Connor

"Software is eating the world," said Marc Andreessen, in 2011. So why don’t you and your team learn to make it, for free? Read more

Can heat and touch-sensitive book To You replicate human connection?

By Caroline Carpenter

Deputy features editor at The Bookseller

British-Cypriot multimedia artist, performance maker and academic Yiota Demetriou talks to us about creating her innovative, interactive book about love and loss, To You. Read more

The future is make believe

By Laura Hamm

Founder and c.e.o. at Fabled

Laura Hamm, founder of Fabled, explains why she took the self-publishing platform from a web app into a print book format. Read more

The pipeline of publishing leaders is female—pay them equally and make gender a non-issue

By Esther Harris

Co-founder at Bookollective

Esther Harris calls on publishing to move with the times when it comes to driving women into leadership positions and paying them equally. Read more

Guy Gadney, c.e.o. of Charisma.ai, shares an abridged version of his keynote speech delivered at the MIX Conference 2019, addressing the increasing convergence between creative industries and artificial intelligence. Read more

Will this interactive iPad app help children enter a magical Reading Realm?

By Molly Flatt

Comment editor at The Bookseller

A former teacher hopes his app will reconnect kids of all backgrounds and capabilities with brilliant books and local libraries. Read more

Could Unicorns, Almost be the first truly immersive audiobook?

By Molly Flatt

Comment editor at The Bookseller

Meet the multisensory hybrid of play and audiobook that has been taking Edinburgh and Normandy by storm. Read more

5 ways independent bookshops can win at social media

By Stewart Bain

Manager at The Old Library

The man who made Orkney Library’s Twitter feed a smash-hit shares the social media lessons he’s learned since moving to indie bookselling. Read more

Look to China if you want to disrupt the way we sell books

By Stéphanie Michaux

Digital publishing professional at Various

From the dominance of WeChat to the growth of staffless bookstores, China offers an intriguing set of provocations – and possibilities – to book professionals elsewhere. Read more

The book trade must stop focusing on disruption and start focusing on impact

By Alf Rehn

Book people have a brilliant history of innovation – but to tap into it, they must swap short-term solutions for big questions about impact. Read more

My Virtual Literary Festival hopes to create a unique meeting space for authors and readers across the world

By Molly Flatt

Comment editor at The Bookseller

As festival season gets in full flow, three authors are launching a virtual literary festival designed to recreate the experience in a more accessible–and affordable—way. Read more

From legacy to ‘lean’ - how publishing innovates

By Bec Evans

Co-founder at Prolifiko

From Wonderbly to Pan Macmillan to unrd, Bec Evans explores how publishers new and old are embracing lean principles to help them innovate. Read more

“There is tremendous opportunity right now for collaboration between the book industry and immersive technology”: VR pioneer Stephanie Riggs on rethinking books

By Molly Flatt

Comment editor at The Bookseller

Virtual reality pioneer Stephanie Riggs believes that, to succeed with immersive technologies, writers and publishers must rethink their approach to narrative. Read more