In A Room Full of Bones, new mother and forensic archeologist Ruth finds a museum curator dead ahead of the opening of a new medieval bones exhibition.
How have the character dynamics changed now that Ruth Galloway’s one-year-old daughter Kate is around?
It feels like a real privilege to have the time and space to develop the characters. It does get easier but I have to say that Kate was a challenge. I wanted her to be a distinct presence in Ruth’s life – every parent knows that a baby disrupts your life completely – but I didn’t want the books to become diatribes about the hardships of being a single parent.
Are museums somewhere you spend a lot of time?
I used to live in South London and visited the Horniman Museum in Forest Hill a few times. I have to say, though, that the museum that influenced me most is the Booth Museum in Hove. It’s very near my old school and I remember many happy stolen hours staring at the Great Auk...
Was it always your intention to make Ruth dissimilar to traditional female detectives, with her clumsiness and weight issues?
I just wanted to make her real. It wasn’t until after the book was published that I realised how many crime heroines were, in essence, superwomen – looking beautiful, cooking gourmet meals, running twenty miles before breakfast. Ruth could certainly eat a gourmet meal but she would struggle with the rest.
Are the Rebus and Springsteen references in the books favourites of yours, as they appear to be the books and CDs of choice to Ruth Galloway? Do you have a favourite Boss album?
Yes, I’m a big fan of both Ian Rankin and Bruce Springsteen. My favourite Springsteen album is Born to Run and my favourite track is Thunder Road.
Are there any crime writers who have been a particular help or influence when you started out?
I hadn’t read a lot of crime novels when I wrote The Crossing Places. My biggest influences were probably Victorian writers like Wilkie Collins. Since then I have met quite a few stars of the crime world and they have all been incredibly friendly and supportive. Val McDermid, in particular, has been delightful. Crime writers seem particularly charming. Maybe they exorcise all their demons in their books. I don’t know any Brighton-based writers, though I did meet Peter James when we were both shortlisted for the same award.
You featured a location map in the first book, The Crossing Places, are there any plans to get maps into any future books?
I love drawing maps and managed to get one into The House at Sea’s End. I think every book should have a map at the front.
How do you write?
My system hasn’t really changed. I write a rough chapter-by-chapter outline and then go for it. I write for about three hours a day and the rest of the time it’s going round in my head. I hope my plots have got a bit better as I’ve gone on though.
Is Ruth going to be brought to the TV screen?
The BBC has expressed interest, but I don’t think I’m allowed to say more than that. I would love to see Ruth on TV. Not sure who would play her, though...
The location of your books is fantastic and they all give a tremendous sense of place - but could you ever see yourself writing Ruth into Brighton, or writing a standalone novel in Brighton? Or is your hometown too crowded with fictional crime already?
Peter James does have Brighton sewn up and I’m sure I couldn’t better him. I do have a vague idea about a historical crime novel set in Brighton, though. My granddad was a music hall comedian and I’d love to write about that world. Ruth has no plans to leave Norfolk, although in book five she does visit Blackpool.
Why does Ruth not like Time Team?
Well, I have a bit of a grudge against Time Team, as my husband had a well-paid city job before he started watching it and now he’s a poorly-paid archaeologist! I think it’s a great programme, but Ruth, being a professional, would be rather sniffy about it (whilst, at the same time, watching it avidly).
What can we look forward to next from Ruth Galloway or from Elly Griffiths?
I’ve almost finished book five, which will be about Roman remains found near Blackpool. It takes Ruth into Nelson’s territory and, of course, into danger. I’ve already got a pretty good idea for Book 6. After that, who knows?
A Room Full of Bones is out tomorrow, published by Quercus.