The Forgotten Waltz: Extract

The Forgotten Waltz: Extract

I met him in my sister’s garden in Enniskerry. That is where I saw him first. There was nothing fated about it, though I add in the late summer light and the view. I put him at the bottom of my sister’s garden, in the afternoon, at the moment the day begins to turn. Half five maybe. It is half past five on a Wicklow summer Sunday when I see Seán for the first time.

There he is, where the end of my sister’s garden becomes uncertain. He is about to turn around – but he doesn’t know this yet. He is looking at the view and I am looking at him. The sun is low and lovely. He is standing where the hillside begins its slow run down to the coast, and the light is at his back, and it is just that time of day when all the colours come into their own.

It is some years ago now. The house is new and this is my sister’s housewarming party, or first party, a few months after they moved in. The first thing they did was take down the wooden fence, to get their glimpse of the sea, so the back of the house sits like a missing tooth in the row of new homes, exposed to the easterly winds and to curious cows; a little stage set, for this afternoon, of happiness.
 
They have new neighbours in, and old pals, and me, with a few cases of wine and the barbecue they put on their wedding list but ended up buying themselves. It sits on the patio, a green thing with a swivelling bucket of a lid, and my brother-in-law Shay – I think he even wore the apron – waves wooden tongs over lamb steaks and chicken drum- sticks, while cracking cans of beer, high in the air, with his free hand. Fiona keeps expecting me to help because I am her sister. She passes with an armful of plates and shoots me a dark look. Then she remembers that I am a guest and offers me some Chardonnay.
 
‘Yes,’ I say. ‘Yes, I’d love some, thanks,’ and we chat like grown-ups. The glass she fills me is the size of a swimming pool. It makes me want to cry to think of it. It must have been 2002. There I was, just back from three weeks in Australia and mad – just mad – into Chardonnay. My niece Megan must have been four, my nephew nearly two: fantastic, messy little items, who look at me like they are waiting for the joke. They have friends in, too. It’s hard to tell how many kids there are, running around the place – I think they are being cloned in the downstairs bathroom. A woman goes in there with one toddler and she always comes out fussing over two.
 
I sit beside the glass wall between the kitchen and garden – it really is a lovely house – and I watch my sister’s life. The mothers hover round the table where the kids’ food is set, while, out in the open air, the men sip their drinks and glance skywards, as though for rain. I end up talking to a woman who is sitting beside a plate of chocolate Rice Krispie cakes and working her way through them in a forgetful sort of way. They have mini-marshmallows on top. She goes to pop one in her mouth, then she pulls back in surprise. ‘Ooh, pink!’ she says.
 
I don’t know what I was waiting for. My boyfriend, Conor, must have been dropping someone off or picking them up – I can’t remember why he wasn’t back. He would have been driving. He usually drove, so I could have a few drinks. Which was one of the good things about Conor, I have to say. These days, it’s me who drives. Though that is an improvement, too.
 
And I don’t know why I remember the chocolate Rice Krispies, except that ‘Ooh, pink!’ seemed like the funniest thing I had ever heard, and we ended up weak with laughter, myself and this nameless neighbour of my sister’s – she, in particular, so crippled by mirth you couldn’t tell if it was appendicitis or hilarity had her bent over. In the middle of which, she seemed to keel off her chair a little. She rolled to the side, while I just kept looking at her and laughing. Then she hit the ground running and began a low charge, out through the glass door and towards my brother- in-law.
 
The jet lag hit. I remember the strangeness of it. This woman lumbering straight at Shay, while he cooked on; the hissing meat, the flames; me thinking, ‘Is this night-time? What time is it, anyway? ’ while the chocolate Rice Krispie cake died on my lips. The woman stooped, as if to tackle Shay by the shins, but when she rose, it was with a small, suddenly buoyant child in her arms, and she was saying, ‘Out of there, all right? Out of there!’ The child looked around him, indifferent, more or less, to this abrupt change of scene. Three, maybe four years old: she set him down on the grass and went to hit him. At least, I thought so. She raised a hand to him and then suddenly back at herself, as though to clear a wasp from in front of her face.‘How many times do I have to tell you?’
 
Shay lifted an arm to crack a beer, and the child ran off, and the woman just stood there, running her wayward hand through her hair. That was one thing. There were others. There was Fiona, her cheeks a hectic pink, her eyes suddenly wet from the sheer la- la-lah of pouring wine and laughing gaily and being a beautiful mother forward slash hostess in her beautiful new house. And there was Conor. My love. Who was late.
 
It is 2002, and already, none of these people smoke. I sit on my own at the kitchen table and look for someone to talk to. The men in the garden seem no more interesting than they did when I arrived – in their short- sleeved shirts and something about their casual trousers that still screams ‘slacks’. I am just back from Australia. I remember the guys you see along Sydney Harbour-front at lunchtime, an endless line of them; running men, tanned and fit; men you could turn around and follow without knowing that you were following them, the same way you might pick up a goddamn Rice Krispie cake and not know that you were eating it, until you spotted the marshmallow on the top.
‘Ooh, pink!’
 
I really want a cigarette now. Fiona’s children have never seen one, she told me – Megan burst into tears when an electrician lit up in the house. I pull my bag from the back of the chair and idle my way across the threshold, past Shay, who waves a piece of meat at me, through rain-bleached tricycles and cheerful suburbanites, down to where Fiona’s little rowan tree stands tethered to its square stake and the garden turns to mountainside. There is a little log house here for the kids, made out of brown plastic: a bit disgusting actually – the logs look so fake, they might as well be moulded out of chocolate, or some kind of rubberised shit. I lurk behind this yoke – and I am so busy making this seem a respectable thing to do; leaning into the fence, smoothing my skirt, furtively rooting in my bag for smokes, that I do not see him until I light up, so my first sight of Seán (in this, the story I tell myself about Seán) takes place at the beginning of my first exhalation: his body; the figure he makes against the view, made hazy by the smoke of a long- delayed Marlboro Light.
 
Seán. He is, for a moment, completely himself. He is about to turn around, but he does not know this yet. He will look around and see me as I see him and, after this, nothing will happen for many years. There is no reason why it should. It really feels like night-time. The light is wonderful and wrong – it’s like I have to pull the whole planet around in my head to get to this garden, and this part of the afternoon and to this man, who is the stranger I sleep beside now.
 
 
The Forgotten Waltz is published by Vintage.