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Whether you’re an author or publisher, you need to get proactive about this rising risk.
With the rise of digital technologies, book publishing has undergone a significant transformation. While this has made books more accessible, it has also exposed them to rampant piracy.
Piracy is the unauthorised distribution of copyrighted materials, and it has become a significant problem in the book publishing industry. It hurts publishers, authors and booksellers, and it undermines the creative and economic incentives that drive the industry. The availability and easy access to unauthorised sources makes it incredibly easy for individuals to share copyrighted material without the owner’s consent and has made it difficult for publishers to protect their IP. This has resulted in substantial losses for publishers and authors alike, and the cost of piracy to the publishing industry is immense. Estimates vary, but one study from the Association of American Publishers (AAP) reports that the publishing industry in the United States lost approximately $2.9 billion (£2.3 billion) to piracy in 2020.
Moreover, the situation is likely to worsen. Piracy in the publishing industry has seen a marked rise in the past three years, with a notable uptick following the first lockdowns of the pandemic. Significantly, in May 2020 publishing overtook film as the second most in-demand media sector for digital piracy, behind television.
And publishing continues to over-index in total piracy demand. MUSO data showed 215 billion visits to piracy websites across all media industries in 2022, an 18% increase from 2021. However, looking at publishing specifically, there were 59.2 billion visits to publishing piracy sites in 2022 – a 37.1% increase on 2021. The data indicates that this trend will continue to increase across 2023 as digital formats proliferate, accessibility to content remains restricted and inflationary and economic pressures drive users to read or download content via piracy sites illegally.
A robust anti-piracy approach will increasingly be seen as a real value-add for a publisher, but the fact remains that authors must become more aware and proactive around piracy too
What’s more, the issue of defining who is responsible for fighting piracy in publishing can be fraught. Authors are getting frustrated at the number of illegal copies of their books online but can struggle to find help beyond their peers to combat this issue. If traditionally published, they may feel that their publishers are failing to protect them, but big publishers face a daunting challenge considering the volume of books – front and backlist – that they’re producing, and indie publishers may not have the resources or knowledge to tackle the issue. A robust anti-piracy approach will increasingly be seen as a real value-add for a publisher, but the fact remains that authors must become more aware and pro-active around piracy too, questioning their publishers about their strategy and – if self-published – investing their own time and effort in better understanding the steps they can take.
As well as technological solutions such as digital rights management (DRM), there are many easy, and some free, ways to take action against digital piracy. Some of these methods include utilising Google Alerts, participating in online forums, issuing DMCA notices, and exploring anti-piracy services.
And whatever the approach, there are a few principles to adhere to when addressing piracy in order to protect revenues and reputation.
