First novel from the Oscar-winning screenwriter behind “Being John Malkovich” and “Eternal Sunshine of the Spotless Mind”, among others. A neurotic film critic stumbles across a hitherto unseen film by an enigmatic director, and decides it is the greatest movie ever made: a three-month-long stop-motion masterpiece that took its reclusive auteur 90 years to complete. But the film is destroyed, leaving him the sole witness to its genius, and so he must somehow recall it while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations on social media.

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