News

'Super Thursday' set for late September

Retailers are enthusiastic about a "strong" autumn, with Jason Manford, James Corden, Jamie Oliver, Steve Coogan and Paul Gascoigne among the celebrities and chefs whose books make up the Christmas staple. A potential Super Thursday is emerging on the 29th September, with 13th October another jam-packed date.

However, publishers said they have little control over publication dates for some of their biggest titles because of external factors such as worldwide publication and TV scheduling, leading to some potential internal clashes.

HarperCollins will put Coogan up against Frankie Boyle on 13th October, while Orion will have Linwood Barclay going head-to-head with Colin Montgomerie on 29th September.  Jasper Sutcliffe, senior buyer at Foyles, said: "It's going to be a fantastic autumn with really strong titles across the board, from fiction to biographies to children's." Super Thursday, he added, "generates widespread reader interest, and raises the profile of  ooks in general which is always incredibly important".

Waterstone's predicted big things of comedians James Corden and Steve Coogan, Jamie Oliver's Jamie's Great Britain and Heston at Home by Heston Blumenthal, as well as new novels from Jeffrey Eugenides, Stephen King, and Haruki Murakami's long-awaited IQ24.

Claire Tomalin's biography of Dickens and Sue Johnston's Things I Couldn't Tell My Mother were also picked out as likely winners in the autumn schedule.

Penguin m.d. Tom Weldon said the publisher's two big dates are 29th September, with the new Jamie Oliver title and Lee Evans' autobiography, and 13th October with books from Rob Brydon and Jeremy Clarkson.

But Penguin "didn't have a choice" over its big publication dates, he said, because they were dictated by external events such as a new TV series for Oliver and Evans' autumn tour.

Little, Brown publisher David Shelley concurred, saying publication of the publisher's biggest Christmas titles—Billy Connolly's Route 66 and Mark McCrum's Walking with the Wounded—are to be confirmed, because they tie in with TV programmes. "The TV companies tend to schedule much less in advance. We are working closely with retailers and keeping them posted," he said.

Shelley was sceptical about Super Thursday, saying: "It seems to be more talked-about in the book trade and the book trade press than in society at large."

Simon and Schuster executive director Kerr MacRae said all press round-ups of books were helpful, but media coverage of Super Thursday tended to come too early. "The Christmas round-ups in the first week of December are much more useful," he said.

Super Thursday (29th September)*
Joanna Lumley Absolutely: A Memoir (Weidenfeld)
Linwood Barclay The Accident (Orion)
Lee Child The Affair (Bantam Press)
Jason Manford's autobiography (Ebury Press)
Johnny Vegas Becoming Johnny Vegas (HarperCollins)
Bernard Cornwell Death of Kings (HarperCollins)
Robert Harris The Fear Index (Hutchinson)
Mitchell & Webb Great Britons' Days Out: 2011 (Fourth Estate)
David Starkey Henry: Model of a Tyrant (HarperPress)
Jamie Oliver Jamie's Great Britain (Michael Joseph)
Chris Ryan Killing for the Company (Coronet)
Lee Evans The Life of Lee (Michael Joseph)
Colin Montgomerie Monty (Orion)
Sir Ranulph Fiennes My Heroes (Hodder & Stoughton)
Paul Scholes Paul Scholes: My Story (Simon & Schuster)
Martha Swift The Primrose Bakery Book (Square Peg)
Louie Spence Still Got it, Never Lost it (HarperCollins)
James Corden's untitled memoir (Century)
J. R. R. Tolkien Mr Bliss (HarperCollins)

Second Wave: 13th October*
Nicholas Sparks The Best of Me (Sphere)
Julian Clary Briefs Encountered (Ebury Press)
Tess Daly The Camera Never Lies (Coronet)
Martina Cole The Faithless (Headline)
Paul Gascoigne Glorious: My World, Football and Me (Simon & Schuster)
Graeme Swann The Breaks are Off (Hodder & Stoughton)
Clarissa Dickson Wright A History of English Food (Random House)
Danielle Steel Hotel Vendome ((Bantam Press)
Alan Partridge I, Partridge: We Need to Talk About Alan (HarperCollins)
The Hairy Bikers' Perfect Pies (Weidenfeld)
Eric Van Lustbader Robert Ludlum's The Ares Decision (Orion)
Rob Brydon Small Man in a Book (Michael Joseph)
Terry Pratchett Snuff (Doubleday)
Andy McNab Spoken from the Front 2 (Bantam Press)
Rufus Hound Stand-Up Put-Downs (Bantam Press)
Cecelia Ahern The Time of My Life (HarperCollins)
Whitstable Mum in Custard Shortage (Penguin)
Irene Nemirovsky The Wine of Solitude (Chatto)
Frankie Boyle Work! Consume! Die! (HarperCollins)

*Selection of titles published on specific day according to Nielsen BookData information. Publication dates subject to change/cancellation

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Jason Manford
Billy Connolly
James Corden
Steve Coogan
Paul Gascoigne
Lee Evans
Rob Brydon
Jeremy Clarkson
Colin Montgomerie

Hmmmm....
Perfect fare for the Bookseller of the Year I would suggest, next to the cheese counter - priced up at £18.99 and then offered at 60% discount.

Any REAL books for "Super Thursday"?

These titles seem to target the same audience... not sure how they will do when in competition with one another for Christmas.

"James Corden's untitled memoir" says it all.

Let's hope the Beeb, etc, cover this like they have been doing for the past couple of years to make the needlessly negative David ("It seems to be more talked-about in the book trade than in society at large") Shelley feel better. Surely he and McRae should back it rather than moan that "it's not big", "it's too early", and "other things are more important"?!

50 Years ago - the October 1961 NY Bestseller List read as follows. Read it and weep at the level to which the publishing world has fallen (£1.1 million paid for David Walliams autobiography which is "yet to be written").

Fiction
1 THE AGONY AND THE ECSTASY, by Irving Stone.
2 TO KILL A MOCKINGBIRD, by Harper Lee.
3 THE CARPETBAGGERS, by Harold Robbins.
4 MILA 18, by Leon Uris.
5 THE WINTER OF OUR DISCONTENT, by John Steinbeck.
6 THE EDGE OF SADNESS, by Edwin O'Connor.
7 TROPIC OF CANCER, by Henry Miller.
8 FRANNY AND ZOOEY, by J.D. Salinger.
9 REMBRANDT, by Gladys Schmitt.
10 CLOCK WITHOUT HANDS, by Carson McCullers.
11 THE INCREDIBLE JOURNEY, by Sheila Burnford.
12 A MAN IN A MIRROR, by Richard Llewellyn.
13 A JOURNEY TO MATECUMBE, by Robert Lewis Taylor.
14 THE SMALL ROOM, by May Sarton.
15 THE HOUSE AT OLD VINE, by Norah Lofts.
16 MOTHERS AND DAUGHTERS, by Evan Hunter.

Non-Fiction
1 THE MAKING OF THE PRESIDENT 1960, by Theodore H. White.
2 THE RISE AND FALL OF THE THIRD REICH, by William L. Shirer.
3 A NATION OF SHEEP, by William J. Lederer.
4 INSIDE EUROPE TODAY, by John Gunther.
5 THE NEW ENGLISH BIBLE; New Testament.
6 RING OF BRIGHT WATER, by Gavin Maxwell.
7 RUSSIA AND THE WEST UNDER LENIN AND STALIN, by George F. Kennan.
8 CITIZEN HEARST, by W.A. Swanberg.
9 THE SPANISH CIVIL WAR, by Hugh Thomas.
10 KIDNAP, by George Waller.
11 THE SHEPPARD MURDER CASE, by Paul Holmes.
12 LIFE WITH WOMEN AND HOW TO SURVIVE IT, by Joseph H. Peck.
13 AMERICA -- TOO YOUNG TO DIE!, by Alex P. De Seversky.
14 NOBODY KNOWS MY NAME, by James Baldwin.
15 THE AGE OF REASON BEGINS, by Will and Ariel Durant.
16 FIRSTHAND REPORT, by Sherman Adams.

true, but we don't exist in a bubble - society as a whole is more superficially fascinated by the current celebrity fads and by 'self-help'.

I do think as an industry we need to raise the bar in terms of output and discourse - although maybe it's more of a case of clearing away some of the flabbier trashy stuff as there's still loads of, what might be called, more intellectually 'valid and valuable' titles being published, they just need a bit more of the spotlight.

People do talk rubbish and the Bookseller laps it up. "However, publishers said they have little control over publication dates for some of their biggest titles because of external factors such as worldwide publication and TV scheduling, leading to some potential internal clashes."

I can't believe many of the titles listed have worldwide publication schedules as they're largely UK c list celeb titles.

As there appear to be two big dates for release it would be nice if the industry could rearrange things such that we have a Celeb Thursday and a Super Thursday. The former would be the publication date for all the celeb bios etc which can then happily compete for space on the grocers' shelves without disturbing booksellers and the latter would be a day about books.

There are plenty of more interesting books being publsihed across September and October - those listed here are mainly just those being published by the "big boys" who get all the column inches, as well as certain senior buyers' attention, sadly. The rest of us will try NOT to release on September 29th or October 13th, which all seems a bit arbitrary anyway.

And there I was blissfully thinking that the hope for Waterstone's et al of a brighter future might rest on a raft of international literary heavy-hitters due out this autumn... Murakami's '1Q84' perhaps, or Eco's 'Prague Cemetery', or perhaps even Steven Pinker's 'The Better Angels of Our Nature.' Alas, it appears that I'm as anachronistic as the Cold War and that I shall be forced to forego the dubious pleasure of wading through next year's remainders and charity shop rejects to find something decent to read. However, I'm not so anachronistic as to not be able to order from Amazon. Now if I just had a TARDIS to take me back to 1961...

So basically on 29th September and 13th October a Shower of Sh*t will rain down on the remaining branches of waterstones, cant wait

It's a shame Shelley adopts the attitude he does because this is a promotion the whole trade could really get behind, and with media interest could really get book or gift buyers into shops early. And contrary to the suggestion, Super Thursday has already been picked up by the likes of the Guardian and the BBC. It would be a fairly easy shove to get it higher up in the nation's consciousness. But heh, I guess it wasn't dreamt up by committee and therefore doesn't count. I have a gift-horse in my back garden if Shelley would like come round and take a look down its throat.

"Retailers are enthusiastic..." Really? As one of the rapidly dwindling rump of independent book retailers I'm totally UNenthusiastic since virtually all these titles, as has been pointed out, will be discounted at least 50% by the grocers and mighty unstoppable Amazon. We will therefore have to sell them, as usual, at the COVER PRICE decided by the publishers since we cannot even buy the titles from the wholsalers at the price they are on sale to consumers.
I dont wish to rip off my loyal customers, so I'll do what I've done for the last 4 years and instead hand pick my selection from the thousands of other original/interesting/well written/quirky titles which I know from experience my customers actually like to buy. And, for the minority of my customers who might want these celebrity titles and are prepared to pay full price, I'll simply order them in. Just another book trade non-event for us then...

Don't forget that publishers are so hard up this year they've had to raise the RRPs of guaranteed bestsellers, making their oft quoted support for indies smell a bit fishy. Didn't seem long ago the RRP for the new Martina Cole, Stephen King et all was £16.99, now it is £20. Jamie Oliver is up to £30 this year. £30!! Claire Tomalin's Dickens book is at a similar price. Good news for the Chain Bookseller of the Year, Sainsbury's, bad news for anyone actually bothering to stock some backlist and hoping that a few bestseller sales might make their bottom lines look a little healthier.

Thank you Baxian. 50 years from now which list will be the subject of an English Literature degree module at a good university? No need for answers on a postcard.

The industry should be ashamed of itself. WHAT A LOT OF RUBBISH.

Regarding celebrity tat...I seem to remember that sales were poor in 2009 and we went into 2010, the industry saying it was going to stay away from big discounted celebrity tat and misery memoirs because it didn't work. Then in 2010 we didn't do super Thursday but we still got all the tat anyway. And what happened? Oh yes, that's right. The Indies couldn't shift them and even Waterstones struggled. Much of this dross went into the new year 50% off sale and sat there, It all got returned. I remember my regional manager telling me to just get rid of it all from the shop floor as it was merely taking up space and that sales were similarly abysmal in every shop in the country.

And here we are again. Are the publishers REALLY thinking third time lucky? Who we are doing this for ? The customers don't want these books judging by sales, the shops can't sell them (unless they're a supermarket), the publishers can't be making a ton judging by the amount left over and the terms they will be supplying the supermakets at?

I don't get it.

From My experince people like buying this stuff at christmas. That's why it gets published at christmas. Just like this time of year there is a influx of manly trash fiction and lots of pink holiday reads. to catch those shoppers that only buy books 3 or 4 times a year.

Why are you all so snobby about it? It keeps us all in jobs, you can spend the other 10 months selling your high brow snobbery to each other.

Can we have a publisher reaction to the almost universal condemnation of this promotion and the titles being promoted ?

You'll get them all at half-price on release, and they will be in the January sales too (expect something like Jamie Oliver last year, where the discount changed at Waterstone's on a weekly basis...).

Double edged sword innit? Very hard to get the big chains to promote literature, new authors and new ideas. Supermarkets are only interested in more of what worked last year, amazon will promote titles that get publicity. Sadly, that usually doesn't include new authored, literature etc.

Independents are, sadly, a bit irrelevant. Until they club together and get a bit of buying power they will sit on the fringes of the industry moaning about how much easier it is for everyone else.

Harsh, but true. Very rarely send any of my reps to an independent (with few honourable exceptions) because 99% of the time it isn't worth their petrol costs.

Ah well, we'll all be muted trimmed down when digital takes off in a big way, anyway.

Jason Manford
Billy Connolly
James Corden
Steve Coogan
Paul Gascoigne
Lee Evans
Rob Brydon
Jeremy Clarkson
Colin Montgomerie

Hmmmm....
Perfect fare for the Bookseller of the Year I would suggest, next to the cheese counter - priced up at £18.99 and then offered at 60% discount.

Any REAL books for "Super Thursday"?

These titles seem to target the same audience... not sure how they will do when in competition with one another for Christmas.

"James Corden's untitled memoir" says it all.

Let's hope the Beeb, etc, cover this like they have been doing for the past couple of years to make the needlessly negative David ("It seems to be more talked-about in the book trade than in society at large") Shelley feel better. Surely he and McRae should back it rather than moan that "it's not big", "it's too early", and "other things are more important"?!

50 Years ago - the October 1961 NY Bestseller List read as follows. Read it and weep at the level to which the publishing world has fallen (£1.1 million paid for David Walliams autobiography which is "yet to be written").

Fiction
1 THE AGONY AND THE ECSTASY, by Irving Stone.
2 TO KILL A MOCKINGBIRD, by Harper Lee.
3 THE CARPETBAGGERS, by Harold Robbins.
4 MILA 18, by Leon Uris.
5 THE WINTER OF OUR DISCONTENT, by John Steinbeck.
6 THE EDGE OF SADNESS, by Edwin O'Connor.
7 TROPIC OF CANCER, by Henry Miller.
8 FRANNY AND ZOOEY, by J.D. Salinger.
9 REMBRANDT, by Gladys Schmitt.
10 CLOCK WITHOUT HANDS, by Carson McCullers.
11 THE INCREDIBLE JOURNEY, by Sheila Burnford.
12 A MAN IN A MIRROR, by Richard Llewellyn.
13 A JOURNEY TO MATECUMBE, by Robert Lewis Taylor.
14 THE SMALL ROOM, by May Sarton.
15 THE HOUSE AT OLD VINE, by Norah Lofts.
16 MOTHERS AND DAUGHTERS, by Evan Hunter.

Non-Fiction
1 THE MAKING OF THE PRESIDENT 1960, by Theodore H. White.
2 THE RISE AND FALL OF THE THIRD REICH, by William L. Shirer.
3 A NATION OF SHEEP, by William J. Lederer.
4 INSIDE EUROPE TODAY, by John Gunther.
5 THE NEW ENGLISH BIBLE; New Testament.
6 RING OF BRIGHT WATER, by Gavin Maxwell.
7 RUSSIA AND THE WEST UNDER LENIN AND STALIN, by George F. Kennan.
8 CITIZEN HEARST, by W.A. Swanberg.
9 THE SPANISH CIVIL WAR, by Hugh Thomas.
10 KIDNAP, by George Waller.
11 THE SHEPPARD MURDER CASE, by Paul Holmes.
12 LIFE WITH WOMEN AND HOW TO SURVIVE IT, by Joseph H. Peck.
13 AMERICA -- TOO YOUNG TO DIE!, by Alex P. De Seversky.
14 NOBODY KNOWS MY NAME, by James Baldwin.
15 THE AGE OF REASON BEGINS, by Will and Ariel Durant.
16 FIRSTHAND REPORT, by Sherman Adams.

true, but we don't exist in a bubble - society as a whole is more superficially fascinated by the current celebrity fads and by 'self-help'.

I do think as an industry we need to raise the bar in terms of output and discourse - although maybe it's more of a case of clearing away some of the flabbier trashy stuff as there's still loads of, what might be called, more intellectually 'valid and valuable' titles being published, they just need a bit more of the spotlight.

Thank you Baxian. 50 years from now which list will be the subject of an English Literature degree module at a good university? No need for answers on a postcard.

The industry should be ashamed of itself. WHAT A LOT OF RUBBISH.

Sadly most of these wonderful titles are not available on Kindle.

People do talk rubbish and the Bookseller laps it up. "However, publishers said they have little control over publication dates for some of their biggest titles because of external factors such as worldwide publication and TV scheduling, leading to some potential internal clashes."

I can't believe many of the titles listed have worldwide publication schedules as they're largely UK c list celeb titles.

As there appear to be two big dates for release it would be nice if the industry could rearrange things such that we have a Celeb Thursday and a Super Thursday. The former would be the publication date for all the celeb bios etc which can then happily compete for space on the grocers' shelves without disturbing booksellers and the latter would be a day about books.

There are plenty of more interesting books being publsihed across September and October - those listed here are mainly just those being published by the "big boys" who get all the column inches, as well as certain senior buyers' attention, sadly. The rest of us will try NOT to release on September 29th or October 13th, which all seems a bit arbitrary anyway.

And there I was blissfully thinking that the hope for Waterstone's et al of a brighter future might rest on a raft of international literary heavy-hitters due out this autumn... Murakami's '1Q84' perhaps, or Eco's 'Prague Cemetery', or perhaps even Steven Pinker's 'The Better Angels of Our Nature.' Alas, it appears that I'm as anachronistic as the Cold War and that I shall be forced to forego the dubious pleasure of wading through next year's remainders and charity shop rejects to find something decent to read. However, I'm not so anachronistic as to not be able to order from Amazon. Now if I just had a TARDIS to take me back to 1961...

So basically on 29th September and 13th October a Shower of Sh*t will rain down on the remaining branches of waterstones, cant wait

It's a shame Shelley adopts the attitude he does because this is a promotion the whole trade could really get behind, and with media interest could really get book or gift buyers into shops early. And contrary to the suggestion, Super Thursday has already been picked up by the likes of the Guardian and the BBC. It would be a fairly easy shove to get it higher up in the nation's consciousness. But heh, I guess it wasn't dreamt up by committee and therefore doesn't count. I have a gift-horse in my back garden if Shelley would like come round and take a look down its throat.

"Retailers are enthusiastic..." Really? As one of the rapidly dwindling rump of independent book retailers I'm totally UNenthusiastic since virtually all these titles, as has been pointed out, will be discounted at least 50% by the grocers and mighty unstoppable Amazon. We will therefore have to sell them, as usual, at the COVER PRICE decided by the publishers since we cannot even buy the titles from the wholsalers at the price they are on sale to consumers.
I dont wish to rip off my loyal customers, so I'll do what I've done for the last 4 years and instead hand pick my selection from the thousands of other original/interesting/well written/quirky titles which I know from experience my customers actually like to buy. And, for the minority of my customers who might want these celebrity titles and are prepared to pay full price, I'll simply order them in. Just another book trade non-event for us then...

Don't forget that publishers are so hard up this year they've had to raise the RRPs of guaranteed bestsellers, making their oft quoted support for indies smell a bit fishy. Didn't seem long ago the RRP for the new Martina Cole, Stephen King et all was £16.99, now it is £20. Jamie Oliver is up to £30 this year. £30!! Claire Tomalin's Dickens book is at a similar price. Good news for the Chain Bookseller of the Year, Sainsbury's, bad news for anyone actually bothering to stock some backlist and hoping that a few bestseller sales might make their bottom lines look a little healthier.

Regarding celebrity tat...I seem to remember that sales were poor in 2009 and we went into 2010, the industry saying it was going to stay away from big discounted celebrity tat and misery memoirs because it didn't work. Then in 2010 we didn't do super Thursday but we still got all the tat anyway. And what happened? Oh yes, that's right. The Indies couldn't shift them and even Waterstones struggled. Much of this dross went into the new year 50% off sale and sat there, It all got returned. I remember my regional manager telling me to just get rid of it all from the shop floor as it was merely taking up space and that sales were similarly abysmal in every shop in the country.

And here we are again. Are the publishers REALLY thinking third time lucky? Who we are doing this for ? The customers don't want these books judging by sales, the shops can't sell them (unless they're a supermarket), the publishers can't be making a ton judging by the amount left over and the terms they will be supplying the supermakets at?

I don't get it.

From My experince people like buying this stuff at christmas. That's why it gets published at christmas. Just like this time of year there is a influx of manly trash fiction and lots of pink holiday reads. to catch those shoppers that only buy books 3 or 4 times a year.

Why are you all so snobby about it? It keeps us all in jobs, you can spend the other 10 months selling your high brow snobbery to each other.

Agree 100% Bookish, thank you for saying exactly what I was thinking :)

Can we have a publisher reaction to the almost universal condemnation of this promotion and the titles being promoted ?

You'll get them all at half-price on release, and they will be in the January sales too (expect something like Jamie Oliver last year, where the discount changed at Waterstone's on a weekly basis...).

Double edged sword innit? Very hard to get the big chains to promote literature, new authors and new ideas. Supermarkets are only interested in more of what worked last year, amazon will promote titles that get publicity. Sadly, that usually doesn't include new authored, literature etc.

Independents are, sadly, a bit irrelevant. Until they club together and get a bit of buying power they will sit on the fringes of the industry moaning about how much easier it is for everyone else.

Harsh, but true. Very rarely send any of my reps to an independent (with few honourable exceptions) because 99% of the time it isn't worth their petrol costs.

Ah well, we'll all be muted trimmed down when digital takes off in a big way, anyway.

Sounds like you're the publisher whose publicity (I like the irony of that title) department can't even be bothered to answer simple emails (five of them in a month).

You've got the kind of trade we have precisely because you and your like have ignored and not supported the independent sector over the last 20 years. You've handed over extra discount and bungs to the likes of Dillons (bust), Borders (bust), Waterstones (damn near bust) and Amazon, allowed wholesalers to undermine their own independent customers by setting up on-line retail outlets and all the while shoving the indpendents on to the sidelines where, not unnaturally, they took off their boots and went home.

Now all you are left with are a hobbled Waterstones and the grocers and you are "forced" to publish this tripe - is this what you had in mind when joining an "arts" industry? - while ridiculing and ignoring the few independents still hanging on by their fingertips.

As you say, we, publishers and booksellers, will all be on the scrap heap before very long anyway so perhaps all this is so much hot air before the meltdown. But it didn't have to be this way and you and you ilk have merrily greased the wheels of the runaway train...

(note to self: too many metaphors).

Not my publicity dept. They usually answer every email, even if it's only to turn down a request for an event..

I spent a huge amount of time trying to support indies- extra terms on backlist promotions, 3 for 2 offers, high discount on titles that were unlikely to be available elsewhere on the high St. Trying to set up events, promotions etc.

It was viewed with suspicion, scorn and a lack of interest ( with a few honourable exceptions). It was also met with the hugely defeatest attitude that is so prevalent on this site. "why should we bother, our customers are to hi brow forbthis type of promo (no, really, someone said that!), we order from wholesalers to make delivery easier, we don't want signed copies, etc etc etc". No wonder I gave up.

Why are you so backward looking? The trade used to be this, the trade used to be that... Things change, get used to it. Adapt, find a niche or go the way of so many indies in the last few years. Stop being so keen to blame anyone other than your self....

Also, I am not forced to publish anything. I publish what I think will sell and find a market for it. If you do not want to be part of that Market - sell something else, or shut up shop.

Sorry, I don't believe you for one minute. In your original post you stated that your reps don't bother with calling on "99% of independents". Crikey, just what do your reps do all day? (I speak as one who did publisher repping for some years.) That's how interested you are in independents. "A huge amount of time", you state. Hmmm....it doesn't sound like it to me.

Extra discount? Never in 30 years has any publisher come to me to offer anything. Whatever extra I have squeezed out of some publishers has been granted through gritted teeth, threats of "firm" sale, no returns etc etc...
Signed copies? I don't believe ANY independent would turn down signed copies of major writers. Indeed we have serious problems actually getting some publishers to wake up (that publicity department that must be situated in an empty room) to requests - and then all sorts of barriers are put up.
"Can you bring them up to London as the author can't come to you?"
"Where will you arrange the signing - our offices are to small to cope?" (Yes, really. My answer was: would the lavvies at Charing Cross Station do?)

The trade does change, there's no getting away from it. But - and I find this hugely ironic - it was the enthusiasm and wad of just ONE Russian oligarch that saved the UK bookselling/publishing world. Let's hope your output fits into the brave new world of the revived W and, of course, the "bookseller of the year", Sainsburys.

Call me a liar, if you will, but that's not the case.

My reps don't bother with too many indies ANYMORE. Used to, all the time. Used to offer deals, signed copies all the time. Never got a huge response. Those that did respond did very well, by the way!

Never in 30 years have you been offered anything extra? Try being more welcoming to the reps you let through the door. Put the kettle on, works wonders.

You'd be amazed how many indies turn down signed copies. Signed copies that would arrive stockades and ready for the shelf. Amazed at how rudely some indies treat authors that show up to sign stock. I have a store manager take away half the stock before the author could sign them, saying "no point, we'll never shift all of these". That's in front of the author.

That's one store we never went back to.

Stickered, arrived stickered.

This has been an interesting and dispiriting exchange of views - if yours are indicative in general of the publishing side of the business.

We treated all our reps with kindness and more than the occasional cup of tea - a drink over lunch if the time was right - but noticed that gradually they began to drift away until, in the last couple of years, they stopped calling altogether. Well, I tell a lie, one does still call - just to flog us his samples and drop off a catalogue before zooming off somewhere more important (one presumes) with cash (it always has to be cash) in his pocket.

So, tell me, when you sign up a new author do you tell them that you can't be bothered with independent bookshops any more or do you keep them in the dark and when they say "I can't find my book in xxx bookshop" you tell them that the shop was offered signed stock but weren't interested (despite the fact that the rep has been nowhere near the shop and the poor bookseller knows nothing of the innocent author's title).

Never mind. I'm sure Sainsbury's will be most welcoming and set up a signing table for your authors. Probably next to the fish counter...

Nah, we always make sure the local independent has plenty of a new authors stock. Usually host launch party at a local Indy.

Authors, like reps, chase the money. No stock in a sainsbury store? Big deal. No stock in a WHS, waterstones? Big deal. No stock in an independent? Not such a big deal.

Baxian. I'm staggered at the size of that chip on your shoulder. I work for a mid-sized non-fiction publisher and our reps spend a large proportion of their time in indies. Most extra discount promotions they set up are with indies. They organise endless signings and events mainly with, yes you've guessed it, indies. So, before you tar us all with the same brush, think for a second. Or perhaps take a look at yourself.

Maybe that bitterness you have is only really reserved for the "big boys" - the big fiction and non-fiction houses who churn out all the tripe listed above. So perhaps you're looking to stock the wrong type of book completely.

Try stocking some books that you won't find in Sainsbury's - we have not one book in a single branch of Sainsbury's because we don't want or need our books in there. They actually approached us for one title and we turned them down, as we actually like to make some kind of profit from the deals we do. We are, after all, a business.

Corey: My comments were primarily in relation to the list of titles that are deemed big sellers - and seen as the big money grossers for the trade - for "Super Thursday". In fact we have been active in a particular area of books that few others bother to stock. You would think, wouldn't you, that publishers would be beating a path to our door but that doesn't seem to be the case.

Have you actually read "Publisher's" comments? He/she actively dislikes indies and his/her reps only spend 1% of their time with them. Of course I have no idea how representative of the trade he/she is but it does seem indicative of a certain trait, does it not, that this is prevalent ina business that votes Sainsburys as Bookseller of the Year?

As other booksellers on this thread - and others - have said, there is absolutely no point in stocking any of the titles that are on offer in Tesco or Sainsbury. I think your last paragraph is very telling - you actually want to make a profit on your books. Strangely,so do we.

Where did I say I disliked indies? I said that my reps no longer call on a large amount of them anymore. This is because, as already stated, they didn't buy much, were not interested in promotions, signed copies etc and were a bit stuck in the past.

I also said that a lot bought stock from wholesalers, not our reps. I also said that some were rude to authors that visited. You ignored many of the points I made, and pulled out the few that fitted your, frankly odd, point of view.

Also, if you read (you should be able to do that, surely) my post you will see that I said that 99% of the time it wasn't worth my reps petrol money. Not that 99% of their time was used on calling at non indies.

Whatever you do, don't get a job as a ghost writer!!

I suspect you mean "proof reader" not "ghost writer".

Equally unsuitable for either....

Must read pedants corner in this weeks Private Eye. Always good for a laugh, that.

If that rep gets caught doing that, he'll be sacked. And rightly so.

A list that will go down very well at Sainsbury's - the Bookseller of the Year - and will no doubt help them to win that accolade again next year.

Geez....... You guys, moan about not having anything to sell.
The publishers give you something and you still moan.
Sounds like most of you are still living in the dim and distant past...
The world and peoples reading habits have moved on.
This little lot could will sell and save us all.....

Oof. Most of the first list are ghostwritten. I suppose you could argue it's a 'post-modern' selection.

What worries me about the books above is not that they won't sell but that they won't sell enough to make money for everyone in the supply chain. Authors need their royalties. Publishers need to make back their advances and then more on top to pay their costs and for future investments. Distributors have to get books to shops efficiently and in a timely manner and pay for fuel and warehouses and drivers who won't get lost or lose parcels or drop off parcels in the wrong place. The retailers need to pay their rates and staff and electric bills and everything else and a bit more on top to keep their bank manager happy. Often the customer just wants that book by that funny man off the telly and doesn't want to pay too much for it. That's where it all breaks down.

Sadly, speaking as an Old Fart publishers lost control of the chain of distribution between 1989 and 1993. I left book publishing during those years returning to find that publishers had sold themselves down the river. Now they are mere pawns of the market and e publishing will destroy them. So sad, but they were SO complacent.

Hmm. A slightly over-dramatic generalisation there. We haven't all sold ourselves down the river, just the very unimaginative and predictable big publishing houses. They rely on the grocery channel and a bit of mutual back-scratching at Smith's and Waterstone's too much.

IF, and it's a big IF, the likes of Waterstone's and Smith's Travel stop living in thrall to the Randoms and Hachettes of this world, then the Hely-Hutchisons, Roebucks, Weldons and Pages of this world might just find themselves in a sticky patch with a big pile of excess old tat to shift and nowhere else to stick it except The Works. Then they might have to start earning their salaries and show a bit of business nous instead of spending most of their time giving glib quotes to The Bookseller and quaffing champers with buyers at book launches.

Oh, and e publishing destroying us all? Haven't you noticed the endless "Hey, check out our ebook revenue" chest-beating articles from the usual rent-a-quotes that appear on here most weeks?

I completely agree with you. The publishers were frightened to say NO to constant demands for increased discount and limitless returns and now they are reaping the whirlwind. You, Corey, may not have sold yourself down the river but the terms you are having to give to retailers, supermarkets and wholesalers now are a direct result of the poor negotiating skills of the big publishers since the late eighties.

Indeed, Daphne.

Corey T's problem, as I assume as a smaller specialist publisher, is that the outlets for his/her books are inextricably linked with the blitzkreig visited on the independents over the last 20 years. He/she is battling with supermarkets and not unnaturally refuses to allow discounts that gives the company no profit. The trouble is that the big W has already sent a warning shot across the bows of the publishing industry - they need more "support". And we know what this means.
ALL bookshops needed "bestsellers" to provide the profit. When a new Dick Francis or Delia Smith came along in the autumn everyone smiled and knew that they would have a great selling period. Now, those independents that still survive, look at the list above and groan knowing that virtually all of these "super sellers" will be on offer to the public at prices BELOW what they can buy from the publisher or wholesaler. Essential and life-saving profit disappears - and still the major publishers batter on producing what many would describe as highly mediocre material (on high advances) with a shelf life of 4 weeks. The mouse in the publishing wheel is running on overdrive now and, some would argue, is about to expire.

So the platform for quality publishing (I'm assuming Corey T's output) is not only greatly diminished because of the lack of variety in B&M shops but must inevitably have a disastrous effect on any decision to take on such writers in the first instance. I don't know how Waterstones and W.H.Smith can ever support virtually the whole of the publishing output - it now looks like a dangerously unstable inverted pyramid. Just where can Corey T sell his/her books if the company is to remain viable, profitable and still take on new writers?

Without platforms that give EVERY player a reasonable profit the ship will sink.

quality post

Amazing how the announcement of the big Christmas releases has turned into this type of debate! Baxian, while I understand your obvious contempt for the celebrities you list I cannot see too much wrong with some of the other big releases listed; Bernard Cornwell, Robert Harris, David Starkey, Martha Swift, Sir Ranulph Fiennes, Nicholas Sparks, Terry Pratchett, Irene Nemirovsky etc. Although these may not match the 1961 list for quality there are some reasonable authors here and perhaps we should do our best to be positive about some of these titles as these can often be the gateway to some of the more literary delights you mention.

Thank you for that list Baxian.

Am so tired of Jamie Oliver. And even if I was interested in his cook books... don't we have enough of them already?

Let him sell them in his own retail outlets and leave room on the shelves for someone else.

It will be interesting to see whether, if James Daunt really does give individual managers more choice in what they order - whether Jamie's sales and other dull 'celebrity' 'auto-biographies' will drop considerably.

Let's hope so.