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David Grant
David Grant worked in corporate publishing until the early nineties, before setting up a sales and marketing agency. In 2004 he set up Infinite Ideas with Richard Burton-who he’d met when they both worked at Kogan Page. Elephant is Grant’s first published novel. May well be his last. He can be contacted at david@infideas.com.
A published publisher
09.07.08
It all started at Frankfurt 06. You know the scenario—you're at a party after a long day talking bollocks, you meet some new people and continue to talk bollocks.
In my case it was Simon Petherick I met, who had just set up Beautiful Books. We got on (it was the Scotch) and when I got back to the UK I sent him a first draft of what became Elephant. It had been languishing on my hard disk for a couple of years whilst I attempted to get on with the day job.
Things became more surreal. Simon seemed to like it and offered me a contract and a five figure advance *. That then meant I had to finish the bloody thing. Rupturing my achilles gave me a bit of help as I ended up virtually immobile for three months. Middle aged fat blokes shouldn't play squash (a fabulous title for a self-help book that I offer for nothing).
During all this time I was treating the whole thing as a just a hobby, one of those things to tick off the list alongside snogging Kylie and getting a hovercraft pilot's license. Having been in the book business seemingly since about 1937, I do know the deal. First time novels will sink without trace—it's the nature of the beast unless you're twenty-something, drop dead gorgeous and fabulously well connected. I claim no such attributes, sadly.
Plus, of course, four years into Infinite Ideas, I was perfectly cognisant of just how difficult it is to gain shelf-space and to generate the right sort of publicity to cause the great British public to queue round the block, desperate to purchase your latest offering.
But there's always that faint hope, that charming but puerile, pathetic but rather (I feel) endearing optimism, that your book will break through-why else would you do it, I guess? Then Spielberg would be on the phone and the toughest decision would be who would he get to play the central character in the movie? But that's no big deal, in reality, if George Clooney's available.
Publication date loomed and despite my innate scepticism, excitement built. Beautiful Books started to get interviews (ok, not The South Bank Show, but North Peterborough FM was pretty good). Borders price promoted it. Books were seen in the WHS Travel outlets.
Oh, the excitement of the first real copies. My picture on the back. My wife and kids read it ("No-it's fiction. Those awful brats and the scheming wife are NOT you lot-honest".)
Then, God bless 'em, The Sun reviewed it, proclaiming it be one of their books of the year (pathetically I can still quote their words verbatim). Ok, not the New York Review of Books, but I'm happy to stoop to populism.
My behaviour changed. I became an Amazon junky, checking my ranking daily (peaked at 8943, I believe). I nearly fainted in my local Waterstone's when Elephant was sitting on the shelf beside Brighton Rock.
But of course, I've not made the Booker shortlist, Steven's not rung from Hollywood and the great returns system of the UK book trade that makes courier companies so successful and publishers so depressed is kicking in. The faint dream is waning.
So, what lessons have I learnt? They can be summarised thus:
- Book reviewers in the national broadsheets are the exact opposite of music critics. The musos all want to discover the next big indy thing rather than write about Mariah Carey or whoever. The literary boys don't—they all review the same books and these books are all from the same multinational publishers. It's compulsory, apparently
- The 28 million readers of The Sun (well, it's something like that) won't rush out to buy your novel. Unless it has breasts on the front cover
- Don't write a book with lots of gratuitous swearing in it and expect your mother to be pleased for you
- On a quiet day there is much fun to be had in ordering a copy off Amazon and organising an office sweepstake to guess how many sales places it leaps.
So, am I despondent, downhearted and depressed? Of course not. I'm halfway through my second book. Better go now. My mobile's ringing. May be Ridley. Much more his kind of thing.
*£100.58
Comments on this article
By Paul Dettman
Yep, this certainly rings true. It seems as though very few lucky souls can make a living from fiction or indeed nonfiction any more, but it's a fun hobby that can add a few pounds a week into the beer kitty! I'll buy yours if you buy mine...10 Jul 08 18:26
By June Austin
Ring true - you must be joking ! Most times it goes something like this - getting up at 5am to write and then working 9 to 5, sending the manuscript in to 200 agents and publishers and getting 200 rejections, self publishing and being told no one will stock the book a) because such books have not passed the an editor liked it, and their opinion is all that counts test and b) because it is not returnable and book shops have to make at least 10 times more than the author does .... As for ordering your own book from Amazon to see how far the ranking shoots up, wish I could afford to! I would have to sell around 8 copies to earn enough to buy one though, even with the obscene discount that they offer on the cover price ... Good luck with the second book David, but sadly for the majority your tale is not reality.10 Jul 08 19:57
By Simon Petherick
As David's publisher, I can assure everyone that I am doing all I can to discourage him from his absurd conviction that he can continue to write witty and honest and engaging novels that genuinely strike a chord in even the hardest of hearts, but unfortunately my powers of persuasion appear to be somewhat limited and I appear to be shackled with him.11 Jul 08 08:35
By David Grant
Pretty certain that Graham Greene never got this level of abuse from his publisher. The world's gone mad.11 Jul 08 12:59
By Keith Mansfield
Another game keeper turned author here. Having published college textbooks for many a year I ended up somehow crossing the fence and writing children’s fiction. What it’s taught me would make me a far better editor if I returned to it, but the adage is “never go back”. Instead, I’m busy penning the second book while looking at the altogether greater career change of becoming an astronaut with the European Space Agency. Ever a populist, I’m hugely impressed by you being one of The Sun’s books of the year – I would be delighted if Johnny Mackintosh reached those same dizzy heights (there are no breasts on his cover, though some warped readers might mistake the London Gherkin for something more sexual!). Sadly I disagree with the music analogy. I suppose the A&R guys still want to discover the next indie sensation, but the bands the labels promote sound more and more similar and all the critics will be as keen to write about Alex James’s new album as the book people are to review A Bit of a Blur (Alex – if you’re reading this I’m sure you’re a lovely guy, but it would be great if you made even more cheese and hogged the media spotlight just a little less). I didn’t include swearing in mine, but putting the main character’s mother in a mental hospital had a similar effect on the parents – I maintain you don’t have to “write what you know”, but some people just won’t listen. Hope Ridley rings soon – I’m holding out for Paul Verhoeven… http://keithmansfield.co.uk/13 Jul 08 18:25
By June Austin
Sorry if I came across as a bit harsh David, I am sure you are a brilliant writer and good at the day job too, being an industry insider though, I will wager certainly helped to secure that contract.14 Jul 08 21:54
By David Grant
Not at all June. Being an industry insider probably helped dampen expectations. It was pure chance I got published. Would that I were a brilliant writer-mere puerile frippery, I am afraid.15 Jul 08 18:39
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