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Philip Stone
Philip Stone is charts editor of The Bookseller. He was formerly a bookseller at Waterstone's.
What next for the Orange prize?
05.06.08
And so the 2008 Orange Broadband Prize for Fiction goes to Rose Tremain. Which is, excuse the pun, a turn up for the books. Quite simply because Tremain was the bookies' favourite, and until now, I was of the firm belief that literary prizes never went to the bookies' favourite. I always thought judging panels spent their final hours phoning up the likes of William Hill, Coral and Totes just to make sure they weren't going to give it to the public's favourite. But it seems, this time, they did.
Except they didn't.
Sadie Jones' critically acclaimed The Outcast (also Chatto) is the only title on the shortlist to have enjoyed an average weekly sale since publication over the 300 mark, while Tremain's Orange prize winner enjoyed its highest weekly sale back in June last year when it sold 465 copies in seven days. It finished 45th in the hardback fiction bestseller lists that week.
To date, total sales of all six nominees, in part due to the fact that three of them are débuts, stand at just 37,905 copies. This figure is almost ten times lower than last year's set of six which enjoyed total sales of over 360,000 by the eve of the announcement. The figure was 335,000 in 2006. What gives?
Well, much has been made of the fact that in previous years the Orange shortlist has contained a couple of blockbusters that didn't really need any more help in attracting sales. Chimamanda Ngozi Adichie's Half of a Yellow Sun (HarperPerennial) received a spot on the pre-Orange "Richard & Judy" Book Club last year, selling well into six figures before the time Orange came around, and Zadie Smith's On Beauty (although only in hardback) was on the list in 2006, selling well into five figures pre-announcement.
In 2008, the Orange judges took a slight risk in choosing three débuts, hopefully answering some of the criticism levelled that is was rewarding authors already "mainstream". But if there's one thing true about the book business and the commentators that come with it, it's that they can be fickle. And so criticisms came that 2008's shortlist lacked a star name came.
The Orange prize courted its fair share of controversy in recent history, not least because the likes of Tim Lott and A S Byatt have launched scathing attacks on the award, with Lott summing it up as a "sexist con trick" earlier this year. This followed the raising of eyebrows when it was announced that the musician Lily Allen was to be a judge, in December last year, and cynical laughter accompanied the announcement in April of Lily Allen's withdrawal.
I actually find it a shame Lily Allen isn't still around. If she had stuck around, at least the trade could have looked forward to throngs of her MySpace massive plundering copies of literary works over the coming weeks.
But given that the last two recipients of the Man Booker prize (Anne Enright, Kiran Desai) and the last four recipients of the Costa/Whitbread Book of the Year (A L Kennedy, Stef Penny, Hilary Spurling, Andrea Levy) have been women, many question the Orange Prize's validity. The prize was set up over "concern that many of the biggest literary prizes often appeared to overlook wonderful writing by women". But that seems no longer the case.
However, championing literary works is surely what the industry is all about and major retailers, with kudos to Waterstone's and Borders in particular, have and will continue to support the prize in 2008 with as much vigour as they have in recent years, regardless of scoffers.
And I'm one journalist who's looking forward to seeing Tremain hit the charts over the coming weeks, as it will be proof positive that the book-buying public still hold the award in high esteem. The paperback edition of The Road Home is just around the corner. Here's hoping it'll do a We Need to Talk About Kevin.
Comments on this article
By gabrielle
although i agree with some of your points, i think you are overly optimistic about tremain hitting the charts anytime soon, even when the paperback is out. the thing about the past winners, adichie, smith, shriver and levy, was that they weren't really part of the 'literary' scene. they all had bestseller potential. before them, it was valerie martin and ann patchett, and no-one in the buying public gave a damn. i think tremain will fail yo enjoy success of recent years. also, although i think prizes are good for driving sales, at one point is the cut-off point. no-one, at least in my experience as a bookseller, gives a damn about the rhys or the commonwealth or the betty trask. so why bother?07 Jun 08 22:10
By A B Seller
The reason peeps are so narked off about the Orange is that, as you say, women aren't on the fringes of the literary prize scene any longer. Given that women are women prizes now, I'd argue what we really need is an Orange prize for men. But perhaps a more 'manly' sponsor. But not like the 'Man Booker' as that would get confusing. I'm thinking 'Castrol GTX', 'Shell', 'Aston Martin' maybe. Joking aside, why isn't there a prize for male authors? We have ones for women, children's, fiction, non-fiction, young people.07 Jun 08 22:17
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